Written by Franz D. Hofer for A Tempest in a Tankard
American-style IPA, that beloved child of the craft beer renaissance, has left the building. In recent years, IPA has become detached from its local context on the West Coast of the United States to emerge as a globalized signifier of everything exciting and novel about beer and tastes in beer. IPA in all its subsequent iterations has become so dominant that it now does double duty as an agent for craft beer in general, itself a stylized approach to the production and consumption of beer. This free-floating global style has since reterritorialized itself in local contexts the world over, sometimes threatening to displace home-grown local styles that had become mundane and less desirable through their familiarity. Local breweries and taprooms have sprung up on every urban corner and every countryside crossroad serving this global style in a local setting, introducing its enthusiastic patrons to an exciting new taste and powerful elixir.
Brouwerij Rodenbach, the highly regarded Belgian brewing company founded in West Flanders in 1821 and known for its tart, oak-aged ales, is doing something unprecedented. For the first time in its nearly 200-year history, Rodenbach will produce a beer in partnership with another brewery. The recipe hasn’t been chosen yet, the label design is no more than a twinkle in an artist’s eye, and the sour ale won’t appear on shelves until 2020, but one key detail has already been decided: Dogfish Head Craft Brewery is the other half of the collaboration.
“The goal is to bring as much taste and flavor as possible in a sessionable beer,” explains Rudi Ghequire, Rodenbach’s master brewer. “Beer is more than hops and only hops.”
In every beer lovers curve of beer love, there comes a moment when they discover the world of smoked beers. Drew sits down with Devon Randall of Imperial Western Beer Company to discuss her approach to making both subtle and in your face smoked beers!
Our judges: John Lee, Saratoga Springs, NY, Millie Carman, Nashville, TN. Both are BJCP Certified. (Summary by Ken Carman.)
The similarities here are remarkable. They are 2 points apart on score: John 41, Millie 39. Both had a 3 on Appearance, 16 on Flavor, 4 Mouthfeel, 8 on flavor. The difference was in Aroma: Millie 8, John 10. I (Ken) remember Millie saying she was having a problem catching the aroma.
Both sensed chocolate and caramel. Millie got nutty and toasty. Only John got coffee and pome fruit, some yeast notes, a little musty and some oxidation. In was interesting that sell by date on John’s bottle was better than Millie’s, but Millie didn’t get oxidation. (Neither did I-Ken) John’s was 1/29/19; ours was 11/27/18. I suspect the difference may be transportation and storage. Abita is a lot closer to Tennessee than Saratoga, NY, area and there may be more stops on the way. Continue reading “Beer Judging Counter Points: Abita Turbo”
2019 OFBB Judging formA
My apologies for the images. Yes, they’re blurry. I also understand the protosheet at the bottom is smaller. I tried to also include another way to access either one which should be more clear. So since there’s an image problem in this column I’ll try to walk you through this.
I think I first became fascinated with alternate versions of the BJCP judging form when I judged for Amber Waves of Grain in Niagara Falls: one of the best large competitions I’ve ever judged. Most of my regular readers know I like, and have started, small competitions. It’s a personal preference. But I have a LOT of respect for, and still judge, large competitions. Running big competitions is tough and requires a lot of cooperation and volunteers, not to mention location issues, and AWOG is impressive: a lot of thought and steady improvement has gone into AWOG. Continue reading “A Beer Judge’s Diary: New Judging Forms”
Mother’s Brewing Company is one of many affected by the government shutdown. The Springfield brewery is still making beer. However, it impacts their new beers that don’t yet have labels approved.
The Federal Alcohol and Tobacco Tax and Trade Bureau is in charge of approving the licenses and labels for any new beers. Employees of the bureau are not working, so breweries like Mother’s have to wait.
The Tax and Trade Bureau’s website is still accepting electronic payments, but a message on the site reads they will not be reviewing or approving any applications until the shutdown ends.
I am hoping to have at least a few editions of this. I already did this under one of my other columns. What I am hoping for here is to display just how different judge palates can be: even day to day and referring to one judge. However most editions will be two BJCP judges, and if other judges wish to join in on this please contact me. You can summarize the differences between the two judges or I can. Different beers will be judged: mostly commercial, however I am open to homebrews. This is raw judging not consensus because the point is missed if we adjust.
For this edition we chose Sierra Nevada’s Hazy Little Thing. Nothing on the can tells us what style IPA it is, but we both agreed New England IPA.
Millie and I are both Certified. Continue reading “Judge Counterpoints: Sierra Nevada’s Hazy Little Thing”