Iron Horse Brewery, located in painfully windy Ellensburg, Washington, brews what is arguably (it keeps winning STATE-WIDE crowd-sourced “best of” contests, pretty much every year) the most undefinable, odd, compelling beer made in the Pacific Northwest. Rivaled only by Sound Brewery’s “Monk’s Indiscretion” for inspired eccentricity, Iron Horse “Quilter’s Irish Death” chuckles – darkly – at the whole idea of “category”. Is it a Stout? Nope, although it may be a bit Stout-ISH. Is it a Wee Heavy. Getting colder? Is it an Irish Dry Stout? Again, NO. It’s a tad lighter in weight and texture than any of those but at 7.8% ABV, it’ll work just fine as a Winter Warmer. So…is it one? NO.
Our judges: Jerry Wood, Certified BJCP and Ken Carman, Certified BJCP
Let’s beginning, as us judges so often do, with AROMA. I noticed Jerry commented on a sweet aroma. I did not comment on sweetness either way even though I frequently do: Jerry did and I should have. Jerry found it very sweet in the aroma: honey-like, and slightly sweet in flavor. I don’t remember it that way: now I wish I had that second bottle Millie and I finished off to reassess for my own sake.
This is why I write notes to myself on top of judging sheet when I’m practicing filling them out. I try to catch what I missed once I review what I did.
Jerry found a mild solvent sense (“almost”) and perfume-y hop. We agreed on perfume-y but I didn’t get any sense of solvent. In fact I found the alcohol level a tad low. More on this in a moment.
I also identified that the hops could be contributing to the pepper sense, which to me was overwhelming in the balance. Indeed my major issue was balance. We both had an 8 for AROMA. Continue reading “Judge Counter Points: New Belgium Tripel”
FLAGSHIP FEBRUARY…sounds like just another contrived event, made up to make somebody some quick cash, doesn’t it?
You could not be more wrong.
Flag February was conceived by two guys named Jay R. Brooks and Stephen Beaumont and it addresses one of the things about craft beer and our buzz-seeking culture that has always concerned me the most. We as beer fans are kinda, well, trendy. I’m no better about this than anybody else. New beers get me all atwitter, especially if the “new” part is some emerging style or variation or technical approach that breaks some new ground.
But the downside of that is that true greatness in craft brewing – those beers that set a new milepost and help breweries make their mark in the craft beer culture – often get lost in our communal rush after Buzz and Novelty and staying Hip and Current.