Andrew Luberto: BJCP Grand Master, mead, Advanced Cicerone Note: Readers will be wondering, “You took a test on Long Island when you live in Nashville?” So this edition will provide a lot of context. Hence why it reads even more like a diary than previous editions.
This is the 3rd test I have taken since I became Certified BJCP back in the 2000’s. Usually my main purpose is using tests as a self teaching tool. They inspire me to go out of my way and study more, learn more. I don’t want to be a judge who just passes the test, gets his rank, and never does anything to improve, to challenge myself. For me the pressure of an upcoming test is perfect.
Though these tests can be like an advanced refresher course, with this test I had as strong an incentive to achieve a mead endorsement.
I have tried to spread the beer tasting tests apart, time-wise, because I understand more new judges is important.
Bringing at least one more mead judge to the mid-South competitions matters to me. The mid-South is somewhat of a mead judging desert, in my opinion.
Since we don’t have the mead judges we need there are few (to no) mead entries. Far less than I hope for. So if I pass, dare I hope, dare I dream, dare I imagine, as a mead judge I might become Johnny Apple Mead? (Did that weak attempt at a joke make you Cy… Sir?)
I will start by reporting the basics of how my beer journey, that started in the 70s, had me arriving at Bay Shore, Long Island, for a mead tasting test all the way from Nashville, TN. Then… specifics of the test itself; as much as I can offer. Third… observations, especially personal analysis. I WILL be quite critical of myself. Last… the big wave goodbye as I headed north, with some personal notes.
I started brewing in the 70s. Then in the 2000’s I began brewing braggots: kind of a back door to mead at the time. The style appealed to me because I enjoy complex quaffs. When I told fellow brewers at the time what I was brewing I’d get, “What is THAT?” This was when online wasn’t a thing yet and legacy mead tests were even harder to find than Sinclair brand dinosaur era-based fuel on my main route.
I had to rely on Thruway Sunoco to get here instead.
Yes, I have a history of doing idiotic things like driving long distances to take BJCP tests. My second Legacy was in Knoxville. My other two, post Certified, were in Atlanta. This year I almost drove to Pittsburgh area from Nashville for a mead test, but it was canceled.
I took my online mead test just before COVID really hit. Because of COVID the tasting portion of several regular BJCP tests have been canceled for obvious reasons, and I only have a year to get this done. That has been difficult: tasting tests for mead have been even harder to find. There are close to none in the mid-South.
I started judging beer around 1998, became BJCP in the 2000’s, I find it unfortunate; except one mead only competition in Savannah this year, that I always end up head of the table when there is a mead table. There just doesn’t seem to be enough mead judges; especially in the mid-South. And not just the South. One of the first mead tables that I became the head judge for was at Knickerbocker, back when the competition was in Albany. I wanted to learn so I told the organizer if he had a mead judge coming I would love to judge with them so I could learn more. Never guess who had to cancel?
Through this column I have become an advocate for more mead judges. Continue reading “A Beer Judge’s Diary: Taking the Mead Tasting Test, Bay Shore, Long Island, NY”
Pours a shade or two lighter than their Vienna for golden amber with a fat white head that lasts and clings sumptuously. Clear. Nose is malty and beady with a floral from hops and sweet grasses. A touch of promising light toast.
Drinks well with a firm malt and graceful hops. Steady bitterness, moderate carbonation. Finishes mostly dry. Would go well on the autumn or harvest table.
The difference between this beer and some of the European Fest beers is the hop character as well as a dry malt character. The Europeans like their malt completely dry with no sweetness in the finish. Also they like to show off the spice character of the hops. In Spaten, Ayinger and Weihenstephaner Oktoberfest for example from past years, you’ll notice a more prominent spice character from hops.
Untappd- 3.6 out of 5
Welcome to the PGA beer rating system: one beer “Don’t bother.” Two: Eh, if someone gives it to you, drink. Three: very good, go ahead and seek it out, but be aware there is at least one problem. Four: seek it out. Five: pretty much “perfecto.”
This comes from an argument I had quite a while ago with another BJCP judge about how we talk about colors: specifically amber. If you look at the picture at the top of the column you may note that actual amber is certainly not just one color, and definitely not always lighter than what we think of as copper, though copper is not a singular color. It does vary… somewhat.
If you look into the colors of honey there are variations on amber honey too in mead judging. So why do we stick to one hue? One variation? Shouldn’t we have gradations to more accurately reflect the actual color? I might even consider dropping copper if considering light to dark, because copper is more a hue variation with the addition of a red tint to it. Copper, when it comes to light to dark, could be covered by amber.
I do believe in standards, but standards that reflect the nature of the color, not one singular nature. I have read the argument that everyone is familiar with the standard color due to amber the substance that is commonly used in jewelry. My father made jewelry out with amber setting all the time, but that practice seems to have faded with better fake gems. That one version may have gotten a slight kick from Jurassic Park, but how long ago was that? Continue reading “A Beer Judge’s Diary: Amber”
Deep tan head headed towards brown that doesn’t hold long. Quaff brown almost black, so dark clarity very hard to assess. SRM in 30s. Head clings to side of glass in ring. Tipped glass provides just a little clarity. No “floaties.”
Cheers you all and welcome to the second half of my “dubbel feature.” Last time I had the Chimay dubbel. Today I am having the Westmalle dubbel.
The appearance is darker, 17 on the srm chart, a mahogany color that does not have as much golden fire around the edges. Another way to express the color is dark but not burned toast. The head of foam is darker in color. This one is khaki colored and long lasting with some bigger bubbles atop a dimpled rocky head that falls slowly, shimmering in sheets and falls away to spot as you drink. Nose is bready like brown bread and has slight hop grasses on the nose. Rose like qualities on the nose and slightly plummy. Raisins and dried dates in the background and a very light spicy clove. Drinks just like the nose and finishes drier yet malty with a slight bitterness from those grassy hops. Moderate carbonation. The bubbles are hard and plentiful. Slight warming from alcohol.
There are differences in every category from the Chimay Dubbel. In the Chimay beer the color and head were lighter. There was no hops on the nose or in the flavor. The breadiness was biscuit- not brown bread in the Chimay beer. There was no rose like scent and the clove was stronger. There also was no alcohol presence on the Chimay and nothing bitter in the finish. The carbonation was firmer than Chimay. And the Chimay finished sweeter than the Westmalle. Two world class dubbels that have plenty of differences between them.
Belgian style beer is defined by an approach to style that allows a healthy contribution from the yeast character as well as a traditional appearance concerning the head of foam. Is there such a thing as a Belgian style pilsner? If you are looking for one on the store shelf I daresay you will be challenged to find any or any Belgian style lagers in general. That is why I am happy to have discovered Ommegang’s Idyll Days. Ommegang is a regional Belgian style brewery here in NY and a personal favorite of mine. They have done a wonderful thing with their interpretation on the pilsner. The pilsner is a contemporary style and it’s guidelines speak to it’s hoppy originality with deference to the lager tradition.
Yeah, ya’ll have to know: best to meet via the internet these days due to COVID. I downloaded Zoom on my laptop and the home computer just before the first one we attended with Music City Brewers: a version of what we used to call Thirsty Thursday.Thirsty Thursday tends to be a little chaotic anyway, so that wasn’t a surpise. The net made it a little worse, but not much.
It’s still a good idea even if it’s the more social gatherings people used to have way, way, WAY back in time. You know a month, more or less?
I’ve already found a microphone, now I have to find a camera for the home PC. I swore it had one. These days it’s no humongous surprise that stores are sold out. Onward to the net.
I felt Zoom shined the next day during this month’s regular meeting for Clarksville Carboys, Clarksville, TN. Continue reading “A Beer Judge’s Diary: Zoom!!!!!! to Great Meetings”
Sweet haze on a yellow body with a creamy head of white foam that lasts a long time and falls clinging in streaks. Orange with orange pith, twiggy pine and grapefruit. Tropical highlights come to the nose slowly and some sweet green herbal. This beer smells like orange juice! The taste is exactly like orange juice and freshly squeezed to boot! This could be one of Ithaca’s most sensual and exotic beers. There is just a touch of bitterness in the swallow and the body of the beer is pillow-y soft and light for it’s 6.6 abv. It’s a piney sharpness that punctuates the bitterness. This is a quintessential IPA with traditional IPA flavors in the style of the NEIPA. If you have ever wanted to define the style NEIPA you have to do it by the mouthfeel and by the appearance. This beer shows you exactly why this variation on the style has it’s own name. It’s just different enough from the original IPA style to merit it’s own category . This beer is a 4.25 out of 5.
The analogy is by all means imperfect. I will point out some of the ways it is imperfect. But I do believe it will help folks who might not understand yet some thing about the nature of COVID.
We keep talking about flattening the curve and how once it starts going back down things can open back up. I think when it comes to basic biology that’s a mistake. And I am open to you, dear readers, pointing out any errors here. Hey, I was the Education/English major who ended up in Communications/Mass Media for my BA, then to Music Business and Recording. Science was NOT my strongest field in school. (However I have always had a vast interest in it, if only it they didn’t insist on turning it into a foreign language. But that’s another topic.)
I am also a homebrewer who has written about beer for many years. But I admit I am a generalist in almost all fields, including brewing. I think that’s why some analogies I use can work well helping others understand. Not all. Ask my wife.
How is beer yeast like COVID? Continue reading “Inspection- COVID and Beer Yeast”
Here at PGA we have had regular links to A Tempest in a Tankard, a website we highly recommend. Because of the crisis we have permission to post the whole article. Please visit A Tempest in a Tankard, where Franz will have more articles during this crisis.
Never in recent memory has the phrase “support your local brewery” meant more than it does now.
I published an article in the local newspaper a week ago about the inaugural Oklahoma Craft Beer Awards. It began like this:
“Oklahoma may have been a craft beer desert a decade ago, but the beer scene has exploded in the past seven years. The Sooner State is now home to over sixty breweries, and just about every city has a brewpub or three.”
In retrospect, it seems I had begun to take craft beer for granted. I can find literally dozens more brands and styles now than when we moved to Oklahoma. Our town, Stillwater, has a brewery. When we go to OKC or Tulsa, we can easily spend an afternoon visiting new breweries and old favourites. And I’m set whenever I visit family and friends in Vancouver.