
Profiled by Ken Carman
While the chocolate was muted, it provided a delightful dark chocolate-like chewiness. It’s as if they used a dark chocolate sauce to give it more mouthfeel, minus what would be an inappropriate “sauce” sense. I’ve had that before when judging. I swear one brewer use a straight sriracha sauce and carbonated it. Great score? No, not really.
The pomegranate is subtle, but stands out enough to take the deep dark maltiness for a gentle ride
Nose is roasted malt and hint of fruit. Not much hops in aroma or on the palate: not needed.
You would never know this is 9%. That takes talent.
Black as all hell. Tan head, pillow. Some rising legs in solution: hard to see, though it does pour like a Guinness with that brooding cloud of bubbles that finally consolidates into a big head.
It’s a dark, complex malty, fruity, party, and you’re invited. 3.9 BA, 3.7 Rate Beer.
4.3
Welcome to the PGA beer rating system: one beer “Don’t bother.” Two: Eh, if someone gives it to you, drink. Three: very good, go ahead and seek it out, but be aware there is at least one problem. Four: seek it out. Five: pretty much “perfecto.”

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Yes, to the left is Ken Carman. Obviously Ken is a mere cartoon character who reviews beer. A magical nymph turns the beer into something a cartoon character can drink.



First, let’s stipulate that what you’re about to read comes from a very unapologetic Beer Snob. MAJOR beer snob. I’m not a snob about wine or Whiskey or Vodka or anything else I review and, even in beer, I’m a snob about ONE thing: cheaply made, cynically conceived, watery, insipid, mass-produced adjunct Pilsners like BudMillerCoorsPabst. That’s it. That and anything else made along those dumbed-down lines.
The ghost pepper is hot and not that interesting: just hot. The RIP provides support… but not much. Way in the background. Dark malts obvious but really not much to the nose on this one.


Ah, the poor, sad Porter…
Having been in Nashville since 1978 both Millie and I wondered about Linus Hall locating his brewery: Yazoo Brewing, in the Marathon building. Now we can’t imagine a more historically appropriate location for innovative new businesses in Nashville…
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